Punk (
runpunkrun) wrote2025-08-13 07:49 am
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Interior Chinatown, by Charles Yu
What if your life was a TV show? Would you be the star or a background character?
Willis Wu lives and works in Chinatown and dreams of being Kung Fu Guy, just like his father before him, but Will's role in life—or in the script—is more Generic Asian Man Number Three. Then he falls for Attractive Lady Cop and has to make a choice between a family life in the suburbs or the job he's always wanted.
This is one of those stories that's more about an idea than a character, and more a thesis than a story. The idea is interesting and the thesis is credible—and completely spelled out for you in a courtroom scene at the end in case you somehow missed it—but the characters have the stock feel of a parable and gave me little reason to care about their struggles as they toil in a system that's been stacked against them for centuries.
The system is racist as shit and Yu supports this with real world examples but doesn't do much to personalize it for his characters. He does dramatize it, literally, as parts are in script format, but even much of that is intentionally clichéd, and despite some early ??? as I wondered what the fuck was going on, I didn't find this challenging or exciting, but I think it did what it meant to.
Contains: cops; racism (including stereotypes and slurs); elder care; poverty; generational trauma; pomo; second person perspective.
Willis Wu lives and works in Chinatown and dreams of being Kung Fu Guy, just like his father before him, but Will's role in life—or in the script—is more Generic Asian Man Number Three. Then he falls for Attractive Lady Cop and has to make a choice between a family life in the suburbs or the job he's always wanted.
This is one of those stories that's more about an idea than a character, and more a thesis than a story. The idea is interesting and the thesis is credible—and completely spelled out for you in a courtroom scene at the end in case you somehow missed it—but the characters have the stock feel of a parable and gave me little reason to care about their struggles as they toil in a system that's been stacked against them for centuries.
The system is racist as shit and Yu supports this with real world examples but doesn't do much to personalize it for his characters. He does dramatize it, literally, as parts are in script format, but even much of that is intentionally clichéd, and despite some early ??? as I wondered what the fuck was going on, I didn't find this challenging or exciting, but I think it did what it meant to.
Contains: cops; racism (including stereotypes and slurs); elder care; poverty; generational trauma; pomo; second person perspective.