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Okay. /rubs hands together

Just as an opportunity to get it out, think aloud, bother you nice people with aimless cheers of characterization and non-said...

Crichton. Josh Lyman. Scully. Other people I've beaten to death and made me, though maybe not so much anymore.

I'm working on this long Mandy story, and she's nothing like me, but she's scraped together a personality for herself so far beyond anything Sorkin or Moira Kelly ever intended, begs that fanfic question again. but then, we talked x, y, z and battlefields. And Crichton, Crichton, Crichton.






Crichton. Two years a mission -- I'm just trying to get home. And I don't think it's left him, not all the way, despite what the opening credits say now. Two years chasing Scorpius, chasing his own tail. Scorpius and the wormholes becoming everything Crichton's reaching for -- very literally occupying all the space in his brain. Stupid Ancients. Wonderful Harvey. So yeah, he's in love with Aeryn, and yeah, he doesn't want, exclusively, to get home anymore. But even then, even between the almost-glances and the touches and the You Are Everythings, Harvey's still in his head, reminding him. The wormhole data is still there.

This boy lives for wormholes, and in 321 he gets his chance to waltz with one. And I think it's clear in the episode that the wormholes are more important to him than Aeryn, for a time. And he might pretend it's to help Scorpy in his revenge against the Scarrans, but that's not what it is. Not my boy. It's his wormhole knowledge, unlocked and pouring out, the holy grail. Maybe to get home. Maybe to blow shit up. Maybe to die in, like the other John. Maybe just to look at. Trophy wormholes. But this Crichton is tilting at Scarran windmills while Rome burns, or something, and he doesn't see Aeryn at all.

Until, until until until, Crais dies. I suspect. Because that's the second time someone close to Crichton lost his life to protect the universe from wormholes. Crichton's wormholes. To protect the universe from Crichton, really. And it's someone close to Aeryn, both times, and I think she's bright enough to see the wormholes in Crichton's eyes. Two people died to protect her from him. Martyrs, like she could never be.

So because of that, I think it's a long time coming before she can quite trust him again, and a long time before he'll be able to shake off the guilt and feel whole again. 322 be damned (and I haven't seen it anyway, but I know, I've heard) -- I feel like we're talking about a deeper Crichton here. Or maybe it's just me. But anyway.

He's got guilt, and because of that inadequacy -- two deaths on his watch and they're almost his fault. And she's got inadequacy, because John and Crais were able to stand up to this Crichton/to wormholes and die, and she's just a little bit too much in love with him to do it. And she hates herself for it. Tough for an ex-PK, tougher still for one whose already lost a Crichton she loved.

So you see, that's where I was coming from in Not Dead. Jealousy meets inadequacy, guilt meets rage, self-hatred meets itself head on. And underneath it all, this horrible abiding love that's ruining everything. For now.

Maybe I'll change my mind when I see 322. Maybe I'm all wet already. Dunno, can't tell, because this stupid John is living in my brain, like Harvey.

So convince me otherwise, will you?

Re: The hard questions, Part II -B

Date: 2002-02-28 03:43 am (UTC)
From: (Anonymous)

'The easy outs?' This interpretation is so far removed from mine, I can't even wrap my mind around it. If there's someone who's never had it easy, it's him. The easy out would be *not* to go after Scorpy. As a matter of fact, the real easy out for this guy would have been to kill himself. He didn't have any support, *none*. He didn't have his friends around him, and Aeryn, for all she contributed, could as well have not been there. He was on his own and he still came through. Just facing Scorpy was a sacrifice in itself. Anyone else would have frozen solid when confronted with their torturer.

I realize I'm risking falling into the trap of 'John can do no wrong' by trying to make a counterpoint to you, but of course that's not what it's about. I'm just highlighting contradicting pov.

M.

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